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Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.

Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...

Nov 30, 2018 — A new issue from a magazine founded over fifty years ago and a showcase of work by aspiring film critics.

Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.

Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.

Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.

Nov 29, 2018 — Repertory Picks Tonight at 7, Minneapolis’s Trylon cinema will give over its single screen to Godfrey Reggio’s 1983 Koyaanisqatsi. Drawing its title from a Hopi term meaning “life out of balance,” the experimental, fiercely poetic film indicts the excesses of...

Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...

Nov 28, 2018 — It’s not every day that you see duds like these. One of the boldest splashes of local color in David Byrne’s True Stories—a genre-defying odyssey to the weird and wonderful world of north-central Texas—comes midway through, during a fashion show...