if….

Jun 9, 2003 — In Stan Brakhage’s films we enter into momentary perceptual transactions in which we trade unhindered assimilation of images for intensified contact with pictorial or sensory features that might otherwise go unnoticed.

May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.

May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.

May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

May 26, 2003 — Derek Jarman’s early film epitomizes the despairing and angry mood of Britain in the mid-seventies—a country facing economic recession, virtual war with the IRA, and an uncertain post-imperial future.

Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.

Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.

Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.

Apr 28, 2003 — François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.

Mar 24, 2003 — Straw Dogs turns on a woman’s rape, and one can’t blame pictures for depicting. But the film shows the woman, after some tart resistance, seeming to enjoy it, and this approaches the apex of what a delicate soul might call...