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Apr 29, 2014 — One legendary American director pays tribute to another.

Apr 24, 2014 — Film scholar extraordinaire David Bordwell is among our most meticulous writers on the art of cinema, looking closely at the construction of a film to see what makes it work and how its technical approach reflects its historical moment. We...

Apr 23, 2014 — Dino Risi’s Il sorpasso, coming out next week in a Criterion edition, was an inspiration for Alexander Payne’s Oscar-winning Sideways. Being such a fan of the film, which is beloved in Italy but underappreciated here in the U.S., Payne agreed...

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Mar 11, 2014 — Presenting  five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...

Mar 6, 2014 — Jean-Luc Godard’s 1960 film Breathless not only launched the French New Wave and made the director’s name forever synonymous with French art cinema—it also made a star out of its leading man, the theretofore unknown Jean-Paul Belmondo. The following excerpt...

Mar 5, 2014 — A few years ago, as I was collaborating on the Criterion release of Last Year at Marienbad, I had the chance to meet Alain Resnais. We had released Hiroshima mon amour and Night and Fog a few years earlier, and...

Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?