The Criterion Collection
Sep 26, 2023 — In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.
The Daily
Jan 14, 2021 — Film About a Father Who is the centerpiece of this month’s virtual retrospective.
On the Channel
Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.
In the span of a mere sixteen years, this German wunderkind made an astonishing forty-four movies that run the gamut from melodramas to period pieces to science fiction.
Short Takes
Jan 5, 2011 — The blog Dangerous Minds has just posted a short entry focusing on the early-seventies almost-collaboration between Ron and Russell Mael, of the Los Angeles pop-rock band Sparks, and Jacques Tati, revealing what might have been a fascinating final chapter to...
A leading figure of the Japanese New Wave, this radical filmmaker tackled taboos and politically charged subjects with stylistic flair and striking symbolism.
One of cinema’s great subversives and mischief makers, this Spanish master combined surrealist non sequiturs with attacks on the bourgeoisie and the church.
Feb 16, 2004 — In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.
The Daily
Nov 5, 2021 — This week heads in all directions—noir, musicals, and the avant-garde.