This Is It

Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...

Jun 7, 1999 — “Off there to the right—somewhere—is a large island,” said Whitney. “It’s rather a mystery—” “What island is it?” Rainsford asked. “The old charts called it Ship-Trap Island,” Whitney replied. “A suggestive name, isn’t it?” Sailors have a curious dread of...

May 31, 1999 — In Abbas Kiarostami’s universe, it might be said, there are no things, only relations between things. Likewise, in his cinema: no films, only relations between films—and within them. And between them and us.Three and one. The most celebrated of Iran’s...

Mar 29, 1999 — Terry Gilliam’s Time Bandits was the most critically well-received children’s film in nearly two decades—and also the most challenging and rewarding fantasy-adventure movie since Alexander Korda’s The Thief of Bagdad, released forty-one years earlier. At the dawn of the 1980s,...

Feb 22, 1999 — Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...

Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...

Jan 11, 1999 — In 1910 Sir William Mackenzie hired Robert Flaherty to prospect the vast area east of the Hudson Bay for its railway and mineral potential. Over the course of several years and through four lengthy expeditions Flaherty had frequent contact with...

Jan 11, 1999 — It was quite a surprise to learn that David Lean had not read Charles Dickens’ Great Expectations before he embarked on his film version in 1945. The closeness of the adaptation, the understanding of the characters, make one swear it...

Oct 19, 1998 — Jean-Luc Godard’s stripped-down science-fiction drama depicts a computer-controlled society at war with artists, thinkers, and lovers.

Sep 8, 1998 — Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.