Nov 9, 2015 — “When you feel loved, you’re liable to do some of your better work,” says Gena Rowlands in a new interview for Academy Originals, a web video series produced by the Academy of Motion Picture Arts and Sciences. The incomparable actress,...

Nov 5, 2015 — Director Guillermo del Toro isn’t shy about the wealth of influences that have shaped his dark and fantastical cinematic worlds. In a piece published earlier this month in the Guardian, the acclaimed Mexican filmmaker cited a range of inspirations for...

Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...

Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Oct 28, 2015 — For over fifty years, the brilliant composer and conductor Carl Davis has been enriching cinema with his evocative film scores. Although well-known for his silent movie work—he's created orchestrations for the re-releases of films like Harold Lloyd’s Speedy and Charlie...

Oct 27, 2015 — Earlier this month the cinema world lost Chantal Akerman, one of the field's most vital and influential artists. For nearly fifty years, the renowned Belgian filmmaker not only shaped moviemaking with her daring and profound narrative films and documentaries, but...

Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

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