The Criterion Collection
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Essays
Jun 21, 2004 — Nouvelle vague euphoria was at its height when Jean-Luc Godard made his enormously clever third feature.
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Sep 17, 2001 — Elmar Klos and I usually work as equal partners, but in this case he left me a free hand. He knows that I am not thinking of the fate of all the six million tortured Jews, but that my work...
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
Mar 19, 2019 — New work by the artist and filmmaker is on view in the UK and Norway and at the Big Ears Festival.
The Daily
Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.