A New Year

Feb 15, 2019 — One of the most massively ambitious epics in the history of cinema, Sergei Bondarchuk’s War and Peace, opens today at the Film Society of Lincoln Center’s Walter Reade Theater in a dazzling new restoration. Never before released in the U.S. in its...

Nov 7, 2018 — Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.

Nov 1, 2018 — Art director Richard Holland shares the nitty-gritty of how he constructed the infernal torture device in Rob Reiner’s classic fairy tale.

Oct 1, 2018 — The Oscar-winning director got his start with the beautifully atmospheric 2003 short film My Josephine, now streaming on the Criterion Channel on FilmStruck.

Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...

Jul 19, 2018 — Repertory Picks This weekend, the Guild Cinema in Albuquerque, New Mexico, will plunge into the shadows, as the theater launches its fifteenth-annual Festival of Film Noir, a celebration spanning ten days, five double features, and countless criminal acts. The festival...

Jun 15, 2018 — Coming up at the turn of the seventies, Philippine filmmaker Lino Brocka made a name for himself directing nine studio movies—many of them melodramas and romances that proved popular with local critics and audiences—in the span of just two years....

May 24, 2018 — Repertory Picks This Sunday afternoon, in Louisville, Kentucky, the Speed Art Museum will treat moviegoers to a free screening of Jacques Tati’s 1967 PlayTime, the third and final movie in the museum’s tip of the cap to the French auteur’s...

Feb 15, 2018 — First up, that's Robert Pattinson in the image up there, the first, released just today, from Claire Denis’s High Life. Secondly, Ioncinema’s countdown of the most anticipated American independent films of 2019—again, twenty-nineteen—continues with notes on Shane Carruth’s The Modern...

Jan 25, 2018 — “Few filmmakers earn the adjective ‘offbeat’ as definitively as the Zellner brothers, David and Nathan, whose new Western (premiering at Sundance), Damsel, is a goof on the genre in which no trope is left unmolested and nothing goes the way...