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This Way, That Way

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

Le Corbeau

Essays

Feb 16, 2004 Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.

Feb 2, 2004 A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema

Maîtresse

Essays

Feb 2, 2004 Barbet Schroeder’s tale of two lovers executes their affair against a backdrop of jaw-dropping sadomasochistic activity.

Dec 30, 2003 Akira Kurosawa was a man of his time, who participated fully in the artistic and intellectual world of Japan from the 1930s until his death in 1998. Although filmgoers may think of him in terms of the screen images he...

Sep 29, 2003 Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

May 26, 2003 Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.

Jubilee

Essays

May 26, 2003 Derek Jarman’s early film epitomizes the despairing and angry mood of Britain in the mid-seventies—a country facing economic recession, virtual war with the IRA, and an uncertain post-imperial future.

Apr 28, 2003 François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.

Apr 28, 2003 François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.

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