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Sep 9, 2002 — With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.

Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...

May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...

Both veteran filmmakers and new voices took cinema into exciting territory as the end of the millennium approached.

The actor and director shares her love for the films of Céline Sciamma, talks about the Olympic Games documentary Visions of Eight, and reminisces about watching Berlin Alexanderplatz with her mom.

The writer and director reminisces about seeing Short Cuts at the Venice Film Festival, selects Merry Christmas Mr. Lawrence out of love for Ryuichi Sakamoto, and takes home the one Stanley Kubrick film he hasn’t see.

The actor selects Czechoslovak New Wave favorites by Miloš Forman and Věra Chytilová, shares her love for British realism and A Taste of Honey, and talks about Agnès Varda’s daring depictions of womanhood.

The actor reminisces about watching Crossing Delancey with her grandparents, selects Godzilla vs. Biollante to share with her son, and shouts out performers she loves, including Harry Dean Stanton and Barbara Loden.

The writer and director of Nosferatu shares his fascination with Sergei Parajanov’s ornate tableaus, praises costume designer Piero Tosi’s work on Medea and Death in Venice, and talks about how Jack Clayton’s The Innocents ignites his imagination.