The Criterion Collection
The Daily
Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...
The Daily
Sep 6, 2017 — When Dee Rees’s Mudbound premiered at Sundance, I gathered a first round of reviews, beginning with Justin Chang’s for the Los Angeles Times: “Adapted from Hillary Jordan’s novel, Mudbound sketches a vivid, dirt-under-the-nails panorama of 1940s Mississippi farm country, centered...
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
Short Takes
Nov 15, 2016 — Harrod Blank shared a few words in remembrance of legendary singer-songwriter Leon Russell, the subject of his father Les Blank’s film A Poem Is a Naked Person.
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
Essays
Dec 16, 2013 — Here at last comes the time of ecstasy, of trances.Those who refuse to their senses the gift of trances shall wither.Brothers in trances, when will freedom come?They threw me out of my land and country.May my star shine. [. ....
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.