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The Stuff

Feb 23, 2022 In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Jan 13, 2022 Yes, he opened doors, but he also brought a singular presence to American cinema.

Nov 23, 2021 Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...

Oct 19, 2017 Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...

Oct 8, 2017 “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...

Sep 15, 2008 Max Ophuls’s ingenious tale of Viennese cafe society conveys both the transience of individual passions and the durability of passion itself as a motivating force in human behavior.

Apr 12, 2011 A nightmare from which no one awakes, Claire Denis’ White Material (2009) takes place in a nameless African country teetering on the brink of all-out civil war. It is the veteran French director’s toughest work, unsparing with its characters and...

Jan 20, 2026 The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.

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