The Criterion Collection
Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...
On the Channel
Aug 8, 2019 — Rainer Werner Fassbinder, Paul Schrader, and Gus Van Sant tackle tales of love for sale in a new series on the Criterion Channel.
Sneak Peeks
May 24, 2019 — In her quest for romantic connection, the protagonist of Claire Denis’s searching, slyly funny Let the Sunshine In—Parisian painter Isabelle (Juliette Binoche)—finds herself falling in with a series of hopelessly self-involved men: an oleaginous (and married) banker, an elegant (but...
Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...
Oct 13, 2023 — Jordan Firstman is an actor, writer, and director best known for his popular series of impressions on Instagram. He has written, directed, and starred in several acclaimed short films, including Sold, The Disgustings, Men Don’t Whisper, and Call Your Father,...
Oct 29, 2015 — Matthew Weiner is the award-winning creator, writer, and executive producer of the series Mad Men. About the process of compiling his Criterion Top 10, Weiner wrote, “I’m not a big fan of lists and it’s even harder when you peruse...
Matt Zoller Seitz is the editor at large of RogerEbert.com, a staff writer for New York magazine, and the author or coauthor of best-selling books on film and television, including “Mad Men” Carousel, “The Sopranos” Sessions, the multivolume Wes Anderson...
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.