The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Aug 14, 2018 — Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
The Daily
May 18, 2018 — And Sergei Loznitsa wins the best director award for Donbass.
Visual Analysis
Jun 6, 2017 — The veteran documentary filmmaker behind Hoop Dreams and the recently released Abacus: Small Enough to Jail discusses the ways in which Robert Altman’s masterpiece combines epic scope with intimate detail.
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.