The Criterion Collection
Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.
Features
Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...
Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...
Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
The Daily
Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.
The Daily
Aug 9, 2021 — The late summer and early fall festivals announce this year’s honorees.
Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.