The Cow

Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

Nov 29, 2019 — Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....

May 8, 2011 — Performances In her performances, actress Shelley Duvall often seems as though she’s walking through a fog. Her gawky-elegant string-bean body moving as though on a conveyer belt, her perpetually goggling saucer eyes staring out at the world yet seeming to...

Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Oct 9, 2020 — In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...

Sep 15, 2020 — When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...