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Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Apr 3, 2024 — This year’s edition is bookended by two very New York movies.

Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 15, 2024 — Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.

Mar 8, 2024 — Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.

Mar 6, 2024 — The reviews are strong, and one excerpt focuses on the influential film pages.

Mar 5, 2024 — Friends and admirers pay tribute to his rigorous scholarship, his boundless enthusiasm, and his warm generosity.

Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.