TÁR

Jul 3, 2020 — A new issue of Cinema Scope, a State of Cinema address from Olivier Assayas, and the Ultimate Summer Movie Showdown are among this week’s highlights.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 24, 2020 — 1.     In 1996, Martin Scorsese’s mother, Catherine—who costars in his 1974 documentary portrait Italianamerican, one of the five early films by the director collected in our new release—collaborated with author Georgia Downard on Italianamerican: The Scorsese Family Cookbook. Among the...

Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...

May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...

May 26, 2020 — Karina Longworth’s podcast You Must Remember This returns with a season devoted to the unjustly unheralded producer, production designer, and writer.

May 18, 2020 — The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.

May 8, 2020 — More highlights include a dossier on Hong Sang-soo, a letter from Apichatpong Weerasethakul, and Barry Jenkins’s conversation with the young stars of Never Rarely Sometimes Always.

May 6, 2020 — What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?