Feb 24, 2017 Did You See This? In an excerpt from his new book This Young Monster, Charlie Fox considers the “fearsome lucidity” of Rainer Werner Fassbinder: “There were no signs of a drooling id let loose or canny subterfuge between his public...

Feb 5, 2017 Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jan 16, 2017 Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Jan 15, 2017 To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.

Dec 26, 2016 PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Dec 21, 2016 Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...

Dec 13, 2016 John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Nov 18, 2016 Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...

Sep 20, 2016 Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Aug 14, 2016 While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

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