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No One Would Tell

Jul 20, 2017 Director Ken Loach and his longtime screenwriting partner Paul Laverty, recipients of this year’s Crystal Globe award at the Karlovy Vary International Film Festival, speak about the complex relationship between politics and cinema.

Jul 17, 2017 “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...

Jun 7, 2017 The Spanish filmmaker, whose short film Mystery is featured on the Criterion Channel, discusses his love for Luis Buñuel and the influence of Catholicism on his worldview.

May 19, 2017 Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Sep 27, 2016 This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Nov 25, 2014 More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

A Lecture

Features

Apr 24, 2012 With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can re-create this performance piece by Hollis Frampton.

Aug 24, 2011 NOTE: The following essay contains spoilers. Not long into Lee Chang-dong’s Secret Sunshine (2007), a melodrama about suffering, salvation, and the dangerously blurred line between belief and madness, the heroine encounters the first of several challenges to her way of...

Feb 2, 2011 These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

Feb 2, 2011 This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...

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