The Criterion Collection
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
The Daily
Jan 11, 2019 — A big list from the American Society of Cinematographers, a series celebrating a slew of twentieth anniversaries, and two great series in New York.
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Dec 20, 2018 — New York launches an Iranian film festival and sends its Art of the Real series to Los Angeles.
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.
Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...
The Daily
Dec 6, 2018 — Also in today’s round of festival news: Guillermo del Toro’s alternative history of Mexican cinema and Sundance’s New Frontier.
The Daily
Dec 3, 2018 — Yorgos Lanthimos’s period romp wins a record ten British Independent Film Awards, and John Waters picks his ten favorite films of 2018.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...