Feb 19, 2025 Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

What Comes After

The Daily

Jan 24, 2025 We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Jan 9, 2025 MoMA’s festival of film preservation spotlights films from around the world, ranging from the silent era through the 1980s.

Dec 2, 2024 Metrograph presents new restorations of Lino Brocka’s Bona (1980) and Lupita Aquino-Kashiwahara’s Once a Moth (1976).

Nov 27, 2024 The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.

Oct 24, 2024 The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.

Sep 24, 2024 Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Sep 17, 2024 A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.

Jul 19, 2024 We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

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