Film Portrait

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.

May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

This Belgian visionary took a profoundly personal and aesthetically idiosyncratic approach to film form, using it to investigate geography and identity, space and time, sexuality and religion.

Extending from the “kitchen-sink dramas” of the early sixties to contemporary masters like Ken Loach and Mike Leigh, the tradition of social realism in British film runs strong.

Oct 12, 2010 — This essay originally appeared in the October 1990 issue of Cahiers du cinéma. Translated by Stephen Sarrazin. The Magician is one of Bergman’s most enigmatic films, perhaps his underground masterpiece, one of the keys to his cinema. Traveling actors, maids...

Feb 24, 2010 — Major Barbara: Stage to Screen It was one of the most improbable linkups in the history of either theater or cinema—as unlikely as Andrew Undershaft’s turning over his munitions empire to Adolphus Cusins, his not-quite-yet son-in-law (and newly declared “foundling”),...

Sep 22, 2009 — Abandoning the cinematic conventions and references that informed his previous works, Jean-Luc Godard’s explosive crime drama reaches new heights of spontaneity and lightning invention.

Mar 17, 2008 — Francesco Rosi’s film is a painstakingly documented reconstruction of the nefarious relationships between the Mafia, banditry, and economic and political power in Sicily between 1943 and 1950.