Every Day

May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.

May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.

May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.

May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.

May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.

May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 28, 2022 — For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.