Come inguaiammo l’esercito

Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

Jul 17, 2024 — Summer reading options range from fiction to philosophy, from the fog of war to finicky fame.

Jul 17, 2024 — With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Jul 15, 2024 — Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.

Jul 12, 2024 — We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

Jul 11, 2024 — Hong Sangsoo, Ramon and Silvan Zürcher, Wang Bing, Ben Rivers, and Pia Marais will premiere new work the International Competition.

Jul 10, 2024 — This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.

Jul 3, 2024 — The Museum of the Moving Image celebrates the centenary with four features and a newly restored documentary.

Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.