Black Vision

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Jan 28, 2019 — With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...

Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.

Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.

Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.

Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.

Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.