The Criterion Collection
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Feb 12, 2013 — The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.
Jan 16, 2013 — Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Jun 18, 2012 — Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.
Apr 3, 2012 — Lena Dunham talked to us about a series she just programmed of films that have inspired her.