The Criterion Collection
Aug 19, 2016 — Born and raised in Los Angeles, Andrew Ahn is a Korean-American filmmaker whose debut feature, Spa Night, premiered at the 2016 Sundance Film Festival and won the US Grand Jury Prize at Outfest. The film’s lead actor, Joe Seo, won...
Mar 4, 2016 — Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.
Jan 23, 2014 — Stella Mozgawa is the drummer for the critically acclaimed Los Angeles band Warpaint, whose albums include 2010’s The Fool and 2014’s Warpaint. She says, “Here’s a list of the movies that have disassembled every notion I have of cinema.”Photo by...
Mar 13, 2012 — John Taylor is a member of the British rock group Duran Duran, which he founded in 1978 while at college in Birmingham, along with his fellow student Stephen “TinTin” Duffy and their neighborhood friend Nick Rhodes. When not on the...
Aug 12, 2009 — Nathan Lee is a critic, curator, and unrepentant champion of Charlie’s Angels: Full Throttle. A former film critic for the New York Times, the Village Voice, and NPR, he is a contributing editor of Film Comment and member of the...
Nov 21, 2008 — Independent filmmaker and underground music aficionado David Markey’s films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all...
Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...
Feb 21, 2007 — It was bound to happen. After a good start for the blog, a quiet stretch. The year has gotten off to a busy start. Every minute there seems to be a meeting with a new player about a new technology...
Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.