The Criterion Collection
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 19, 2023 — Take a break from Cannes with Eric Rohmer, the Dardennes, Patrice Chéreau, Joanna Hogg, and Matthew Barney.
The Daily
Feb 23, 2023 — Notes on new features from Christian Petzold, Angela Schanelec, Margarethe von Trotta, and Volker Koepp.
The Daily
Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.
Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.
Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.
Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.
The Daily
Oct 31, 2022 — As James Gray’s latest feature arrives in theaters, critics focus on the treatment of his surrogate’s Black best friend.
The Daily
Oct 25, 2022 — As Saturn Bowling heads to the U.S., Mazuy sets up a project with Isabelle Huppert and Hafsia Herzi.
The Daily
Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.