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Accident

Nov 14, 2023 The leading editorial voice of Positif, the great critic and historian gave us essential books on Kubrick and Campion.

Oct 18, 2023 You don’t have to believe every word in Herzog’s memoir to get a kick out of it.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Jul 25, 2023 In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.

Jun 2, 2023 This week we’re spotlighting Ken Jacobs, queer cinema in the 1990s, and the return of the afro-horn.

May 31, 2023 It’s not every year that so many critics are pleased with the juries’ choices.

May 30, 2023 Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

Desires Betrayed

The Daily

May 19, 2023 Take a break from Cannes with Eric Rohmer, the Dardennes, Patrice Chéreau, Joanna Hogg, and Matthew Barney.

Feb 23, 2023 Notes on new features from Christian Petzold, Angela Schanelec, Margarethe von Trotta, and Volker Koepp.

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