The Criterion Collection
Short Takes
Nov 5, 2015 — Director Guillermo del Toro isn’t shy about the wealth of influences that have shaped his dark and fantastical cinematic worlds. In a piece published earlier this month in the Guardian, the acclaimed Mexican filmmaker cited a range of inspirations for...
Short Takes
Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.
Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...
Apr 18, 2014 — Did You See This?• The best animated films of all time • Olivier Assayas, David Cronenberg, Mike Leigh, and others going to Cannes • Our Frances Ha essayist dances off with a Pulitzer! • British Pathé opens its vaults. •...
Mar 17, 2014 — Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.
Sneak Peeks
Nov 19, 2012 — Legendary production designer Dante Ferretti is known to moviegoers everywhere for the elaborate and period-precise but fanciful worlds he has created for such films as Terry Gilliam’s The Adventures of Baron Munchausen, Neil Jordan’s Interview with the Vampire, and Martin...
Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Jun 18, 2012 — Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.
Essays
Jan 17, 2012 — “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....