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Dec 12, 2017 — On the new episode of the Supporting Characters podcast (123’49”), Bill Ackerman talks with author and film critic Molly Haskell, author of From Reverence to Rape: the Treatment of Women in the Movies and, most recently, Steven Spielberg: A Life...

Dec 12, 2017 — “Grant Munro, a Winnipeg filmmaker whom the National Film Board calls a ‘Canadian film and animation legend,’ has died at the age of ninety-four,” reports Debra Yeo for the Toronto Star. Munro is probably best known for appearing in Norman...

Dec 11, 2017 — Over the weekend, the European Film Awards, the International Documentary Association’s IDA Awards, and the British Independent Film Awards were presented, and now, of course, we have the Golden Globe nominations. A good handful of critics’ organizations announced their picks...

Dec 11, 2017 — Celebrate the centennial of one of silent cinema’s most iconic figures with a documentary about actor Harold Lloyd, now playing on the Criterion Channel on FilmStruck.

Dec 11, 2017 — Guillermo del Toro’s The Shape of Water leads the seventy-fifth Golden Globes nominations with a total of seven, followed by Steven Spielberg’s The Post and Martin McDonagh’s Three Billboards Outside Ebbing, Missouri with six each. As for television series, Big...

Dec 11, 2017 — Before we delve into the city-by-city breakdown, lets note that, following its announcement late last month of its narrative and documentary feature film competition lineups, Slamdance has unveiled the lineups for its Beyond and Shorts programs. Slamdance 2018 will run...

Dec 10, 2017 — Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...

Dec 8, 2017 — “We live in an age in which articles are written daily on the need for ‘checking out’ of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin,” writes Chuck Bowen,...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 7, 2017 — In the new issue of Film Quarterly, editor B. Ruby Rich argues that cinema and television “are lagging behind those offscreen realities known as world events or, in online parlance, IRW (In Real World). And yes, this is a film...