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Inte Ett Riktigt Jobb

Aug 30, 2016 Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Aug 26, 2016 1. Director Tony Richardson selected Rita Tushingham for the lead role of Jo after auditioning two thousand young women. A Taste of Honey marked Tushingham’s screen debut, and while her performance went on to win the best actress award at Cannes in...

Aug 23, 2016 Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Aug 23, 2016 In honor of the filmmaker, who passed away in 2016 at the age of ninety-two, Alan Arkin recalls the man who directed him in two of his favorite films, Popi and The In-Laws.

Aug 18, 2016 Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Aug 17, 2016 The director of Morris for America, a poignant coming-of-age tale about a thirteen-year-old boy and his widowed father, talks about his eclectic inspirations and unique approach to movie watching.

Aug 16, 2016 Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

Aug 14, 2016 While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Aug 9, 2016 The acclaimed writer-director discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process.

Aug 5, 2016 The director returns to the big screen with our new restoration of his long-unavailable sophomore feature, shot in 1970 on a shoestring budget, which kicks off its national theatrical rollout with a run at New York’s IFC Center.

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