The Criterion Collection
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
The Daily
Jan 23, 2026 — This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.
Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
The Daily
Jan 20, 2026 — Joachim Trier’s sixth feature wins six European Film Awards, and Sirât takes home five.
The Daily
Jan 16, 2026 — Michael Almereyda and Radu Jude’s discussion of Eisenstein, Welles, and Godard is just one of this week’s highlights.
The Daily
Jan 13, 2026 — The festival lines up its Forum Special and celebrates forty years of the Teddy Award.
The Daily
Jan 12, 2026 — Let’s catch up with some of the most notable best-of-2025 listing and polling.
The Daily
Jan 9, 2026 — This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.