The Criterion Collection
The Daily
Aug 1, 2017 — New York. The Film Society of Lincoln Center has announced that its retrospective Jane Campion’s Own Stories will run from September 8 through 17. “For four decades now, Campion has moved freely across genres—family melodrama (Sweetie), gothic romance (The Piano),...
The Daily
Jul 30, 2017 — “Everybody knows what’s wrong with Hollywood—the vacuous parade of tentpole blockbusters; the refusal to diversify both in front of and behind the camera; the confusion in the face of disruptions by Netflix and Amazon; the single-minded lust for the 13-year-old-male...
May 23, 2017 — “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, launched in Berlin—or...
May 22, 2017 — Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...
The Daily
May 18, 2017 — Before turning to events happening in various cities, let’s note that the Seventh Art Stand carries on through the end of the month. It’s “a nationwide screening and discussion series presented by 50+ theaters, museums, and community centers in more...
Tech Corner
Nov 14, 2016 — Last week, we were saddened to learn of the passing of Raoul Coutard. Our technical director, Lee Kline, shared some memories of working with the great cinematographer.
Criterion Designs
Sep 29, 2015 — The combination of deep-rooted anger and intellectual trickiness in Krzysztof Kieślowski’s film called for an artist with an unusual combination of skills.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?