The Look

Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.

Mar 13, 2018 — Jim Cummings’s Thunder Road has won Grand Jury Award in the 2018 SXSW Narrative Feature Competition, and Hao Wu’s People’s Republic of Desire takes the Grand Jury award in the Documentary Feature Competition. Here’s the complete list of winners with...

Feb 28, 2018 — New York. Neighboring Scenes: New Latin American Cinema opens tonight at the Film Society of Lincoln Center and runs through Sunday. Writing for the Notebook, Ela Bittencourt points out that “a number of films stand out for either their carefully...

Feb 27, 2018 — “Orson Welles, a boy from Kenosha, Wisconsin, was one of the most audacious Shakespearians who ever lived,” writes Robert Horton. “He recited soliloquies as a child, wrote a book on the plays as a teenager, and at age seventeen roamed...

Feb 23, 2018 — “Eighteen years young and still eagerly nudging audiences toward discovery, Film Comment Selects is a film series as pointed act of correction,” writes Ed Gonzalez at the top of his overview in the Village Voice of the series opening today...

Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 16, 2018 — The Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25, has announced the complete lineup of seven restorations for its Berlinale Classics program. You’ll find descriptions of all these titles at the festival’s site as well...

Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Dec 21, 2017 — New York. “One of the great films about childhood and life during wartime, Claude Berri’s piquant, piercing debut, The Two of Us (1967), also stands—despite its highly personal and historic milieu—as a study of a perennial generational conflict,” writes Alan...

Dec 17, 2017 — New York. The series All or Nothing: The Fearless Performances of Daniel Day-Lewis is on at the Quad Cinema through December 24 and, in the Village Voice, Bilge Ebiri writes: “He doesn’t just do the work; he shows us the...