The Fin

Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.

Jun 24, 2013 — The most iconic gag of Harold Lloyd’s career—and one of the most indelible images of all of silent cinema—is the limber funnyman dangling from a clock on the side of a high building in Safety Last!. It is the centerpiece...

Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...

Jul 8, 2011 — Marcel Carné’s rich backstage drama about the theater world of nineteenth-century Paris, Children of Paradise, is back—in a new form. Based on Jacques Prevert’s original scenario, a ballet version of the classic film, choreographed by José Carlos Martinez and scored...

Sep 23, 2010 — I work closely on the Eclipse series, and one of the great privileges of that task is the chance to delve into the films and careers of artists I was previously only passingly acquainted with. Allan King is a supreme...

Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...

Jun 21, 1994 — From the opening credits of Spike Lee’s seminal film, She’s Gotta Have It, viewers in 1986 were able to recognize the presence of an extraordinary talent. For it was Lee, a graduate of the New York University’s Tisch School of...

Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Jul 14, 2017 — In a video essay on our release of Robert Bresson’s final film, scholar James Quandt explores some of the formal elements that make the master’s vision of moral corruption so transfixing.