Aug 2, 2004 The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

Apr 19, 2004 “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Mar 15, 2004 This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.

Mar 13, 2004 With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.

Feb 23, 2004 With his drama about a Sicilian bandit, Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his time.

Feb 16, 2004 Ronald Neame’s Tunes of Glory (1960), which was widely admired when it was first released, has subsequently kept a low profile. This says more about critical attitudes and British film culture than it does about the quality of the movie....

Feb 16, 2004 In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.

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