The Criterion Collection
Short Takes
May 18, 2016 — We were proud to announce earlier this week that Orson Welles’s legendary masterpiece Chimes at Midnight will be joining the collection come August. Back in January—while the Shakespearean epic was enjoying a theatrical run at Film Forum and we were...
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.
May 5, 2014 — The celebrated divot points manfully toward the crest of the next hill, and the next, and the next, and to the horizon after that. Always forward! Into the sunset! Kirk Douglas is on the move: a wagon train of grimace,...
Sneak Peeks
Nov 14, 2013 — Charlie Chaplin has such an easygoing, lovable on-screen persona, and his films such a graceful, effortless charm, that it’s easy to forget that the actor-director was a maniacal perfectionist. The following footage of Chaplin directing a crucial scene from his...
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
Short Takes
Mar 20, 2012 — In the late forties and early fifties, Robert Altman was getting his start as a director by making shorts for the Kansas City industrial-film producer the Calvin Company. As you may have heard, a 16 mm print of what appears...
Nov 8, 2011 — With the very first shots of Fanny and Alexander (1982), director Ingmar Bergman announces his perspective and signals his intentions. Here, we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of skillfully painted backdrop. We...
The Cannes Film Festival may have star-studded red carpets, but the winners below are its true legacy.
Feb 10, 2010 — Revanche begins with a reflection of trees in a lake at twilight. They’re seen upside down—an image of nature reversed—yet the earth is eerily calm. This almost otherworldly illusion arouses a viewer’s awareness of perspective, which is then disturbed by...