The Criterion Collection
May 15, 2000 — Herk Harvey described to me a strange outdoor ballroom he had seen rotting on the shores of the Great Salt Lake. . . and said he’d like to make a film about creatures rising from the lake and doing a...
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
Essays
Nov 15, 1999 — Great comedy cannot be confined within normally accepted boundaries of taste and sensitivity. The essence of the Pythons was that they were always ready to take on formidable, daunting subjects that others might find too dangerous to contemplate. The idea...
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Aug 28, 1995 — Three Cases of Murder is of most interest to American audiences for Orson Welles’s flamboyant and bravura performance as Lord Mountdrago. However, it’s equally important as a showcase for Wendy Toye, one of Britain’s first female directors, and star Alan...
Apr 9, 1990 — Few motion pictures have ever matched the 1938 Warner Bros. production of The Adventures of Robin Hood for sheer entertainment. Even today this film ranks high on any list of all-time favorites. Warner Bros. first considered filming The Adventures of...
Nov 9, 1987 — The stories French filmmaker Albert Lamorisse tells in these sharply crafted featurettes are simple, yet they cut straight to the heart of a child’s view of the world.
The Daily
Apr 3, 2026 — This week: Mani Haghighi, Kiyoshi Kurosawa, Sophy Romvari and Martha Coolidge, and Ken and Flo Jacobs.
The Daily
Dec 17, 2025 — An amiable actor, Reiner launched his directorial career with a seven-film winning streak.
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.