The Criterion Collection
The Daily
Jan 23, 2018 — Last week we saw the first four titles lined up for this year’s Berlin Critics’ Week, the independent program that, like its counterparts in Cannes and Venice, runs parallel to its city’s big festival, the Berlinale. Below, an overview; you...
Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.
Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...
On the Channel
Jan 10, 2018 — The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.
Essays
May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.
Jun 21, 2019 — The French iconoclast explains how his background in industrial filmmaking helped him bring life to abstract ideas about the human condition.
In Theaters
Jan 25, 2018 — One of the pivotal works of the Direct Cinema movement, the Maysles brothers and Charlotte Zwerin’s documentary Salesman plays in a new restoration at Manhattan’s Metrograph.
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.