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The One

Jul 16, 2009 The venerable critic Andrew Sarris, now eighty-one years old, gets his due in a lovely profile in the New York Times by Michael Powell (no, not that one). This die-hard auteurist, who has contributed writing and been featured in on-screen...

Jul 14, 2009 The decade-long Apollo program was the largest and most expensive undertaking in the history of man that wasn’t devoted to a war. During the four years between 1968 and 1972, there were nine manned flights to the moon. Twenty-four men...

May 13, 2009 It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...

Apr 28, 2009 For his ongoing series “Philip French’s Screen Legends,” begun in January 2008 on the Guardian’s website, the British film critic has been profiling the “great actors in film, choosing their key works and assessing their legacy,” in neat little encapsulations....

April in Tativille

Production Notes

Apr 22, 2009 Some of you might have seen the news item on our website regarding the Jacques Tati “centennial-plus” and the exhibits around Paris paying homage to the inventive filmmaker. I had the good fortune to be in the City of Lights...

Apr 21, 2009 “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...

Apr 6, 2009 What do Orson Welles, François Truffaut, Mike Nichols, and Peanuts have in common? According to critic Matt Zoller Seitz, they’re just a few of the many influences on Wes Anderson’s films, and in a lovingly assembled and keenly edited five-part...

Mar 16, 2009 Dave Kehr heralds the rediscovery of “the oceanic depth and diversity of Japanese cinema” in recent years, “thanks in no small part to home video,” in a lovely New York Times piece on the latest example of that, Eclipse Series...

Mar 16, 2009 This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Jan 14, 2009 Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.

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