As It Is In Life

Sep 16, 2010 — I didn’t know quite what to say to Allan King when I met him for the first time in the fall of 2003 at his home offices in downtown Toronto. This was partly out of deference to his reputation as...

Jul 26, 2010 — The Story of a Cheat: Breaking the Rules While most filmmakers arrive at their profession already possessed of a vigorous love of cinema, Sacha Guitry saw the form, at least at first, as a necessary evil. Paris’s most popular and prolific...

Feb 24, 2010 — Major Barbara: Stage to Screen It was one of the most improbable linkups in the history of either theater or cinema—as unlikely as Andrew Undershaft’s turning over his munitions empire to Adolphus Cusins, his not-quite-yet son-in-law (and newly declared “foundling”),...

Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...

Dec 1, 2009 — Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Aug 18, 2009 — In the late 1970s, during the long years of waiting for international and domestic funding to come together to produce Kagemusha, Akira Kurosawa returned to the pastime of his youth—he painted. Working fast and furiously, each day turning out scores...

Jun 19, 2009 — Just this week a man, armed with a handgun, attempted to rob what is almost certainly (based on local accounts and a little detective work on our part) the very same Dedham, Massachusetts, bank that was the setting of the...

May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...

Feb 24, 2009 — On January 12, French cinema lost one of its truest enablers. Claude Berri was as well-known for his support of cinema, both financial and critical, as he was for his own filmmaking. The actor turned director-writer-producer made twenty-three films (the...

Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.