The Criterion Collection
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
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Oct 27, 2025 — The Melbourne Cinémathèque presents vibrant and enduring mashups of melodrama and social realism.
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Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.
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Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.
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Oct 8, 2025 — We remember an artist, teacher, and filmmaker who unleashed realms of depth from two-dimensional images.
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Oct 7, 2025 — The mysterious new feature from the director of Bait and Enys Men stars George MacKay and Callum Turner.
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Oct 2, 2025 — The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.