Nov 30, 2023 — A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Mar 29, 2023 — The Brazil-based programmer discusses her transnational, oppositional approach to curating the daring lineup for Opacity, which was presented at the Flaherty Seminar in 2021 and is now available on the Criterion Channel.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

Sep 28, 2021 — Adoption was the first Hungarian film to compete in Berlin—and the first film directed by a woman to win the Golden Bear.

Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.

Aug 30, 2019 — This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.

Jun 14, 2019 — On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration

May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

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