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This Is It

Sep 29, 2008 After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...

Sep 22, 2008 With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...

Sep 15, 2008 Max Ophuls’s ingenious tale of Viennese cafe society conveys both the transience of individual passions and the durability of passion itself as a motivating force in human behavior.

Aug 27, 2008 A few months back, after we announced our upcoming release of Salò, or The 120 Days of Sodom, we received a note from a viewer asking us which version of the film we would be releasing, noting that a 2001...

Aug 18, 2008 One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.

Aug 11, 2008 Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Jul 21, 2008 A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.

Jul 7, 2008 Every decade since 1984 the Toronto International Film Festival has conducted a poll of film scholars, critics, and directors to determine the ten best movies in the history of Canadian cinema. This top-ten list has changed somewhat over the years,...

Jun 30, 2008 The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...

Jun 16, 2008 Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.

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