Two in One

Sep 2, 1993 — Capturing for posterity the portrayal that brought Paul Robeson fame, this film was a turning point—the culmination of his early career and a groundbreaking showcase for the work of a black leading man.

Jul 26, 1993 — But for the recalcitrance of RKO, Evergreen could have been the finest of Fred Astaire’s movies. Instead, it was never an Astaire film, but “merely” the best musical ever made in England, and the finest film of the legendary Jessie...

Aug 17, 1992 — Blackmail was Alfred Hitchcock’s tenth picture in England, his second thriller and first British talkie—and it marked an important crossroads in film history. Hitchcock shot the film in 1929 as a silent picture, but when it was ready for silent...

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Dec 29, 2008 — If I had not seen The Lady Vanishes at the age of seven, I might never have become a film critic. I was the fifth child of parents well into middle age: clearly an “accident,” as I was ten-years-plus younger...

Dec 11, 2008 — Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...

Nov 23, 2022 — In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 5, 2021 — Introduction won a Silver Bear in Berlin, and Lee Hyeyeong returns to the screen for the first time in over a decade for In Front of Your Face.

Aug 8, 2018 — New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.