The Criterion Collection
Feb 14, 2013 — David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Feb 16, 2004 — In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.
Essays
Apr 29, 2002 — Though set in wartime Soviet Union, Grigori Chukhrai’s drama walks away from the genre of war film, creating a portrait of life and problems behind the lines of battle.
Essays
Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.
Essays
May 31, 1999 — In Abbas Kiarostami’s universe, it might be said, there are no things, only relations between things. Likewise, in his cinema: no films, only relations between films—and within them. And between them and us.Three and one. The most celebrated of Iran’s...
Jun 16, 2009 — In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...
The Daily
Apr 3, 2026 — This week: Mani Haghighi, Kiyoshi Kurosawa, Sophy Romvari and Martha Coolidge, and Ken and Flo Jacobs.