The Criterion Collection
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Essays
Nov 15, 2011 — The thematic ideas and inspirations that sparked Three Colors: Blue (1993), though typically ambitious in scope, seem sketchy when compared to the intense experience of watching this exquisite film. We know that Krzysztof Kieślowski’s Three Colors trilogy corresponds to the...
Features
Feb 28, 2011 — In 1969, director Alexander Mackendrick retired from the film industry and became founding dean of the film school at the newly established California Institute of the Arts. Passionately interested in the pedagogy of cinema (“Film writing and directing cannot be...
Essays
Oct 18, 1998 — 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...
Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
The Daily
Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.
The Daily
Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.