The Criterion Collection
The Daily
Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
The Daily
Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.
Oct 20, 2020 — At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...
Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.
The Daily
May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.
Mar 12, 2019 — By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
Features
May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.