The Red Girl

Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Nov 21, 2017 — Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Feb 23, 2017 — The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Nov 21, 2005 — Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.

Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.

Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.